Here's an email I received from British novelist Caroline Smailes, author of In Search of Adam, which is published by The Friday Project and I reviewed in this blog when it released last year because I liked it a lot. (TFP is the same publisher who will publish A Son Called Gabriel in the UK.)
She has now written a novella entitled Disraeli Avenue that deals with the background characters of her debut novel and it's published and downloadable for FREE on the net from today. However, she wants to assist a charity for sexually abused kids--her work deals with this theme--and asks that you consider making a donation if you decide to download the work.
Here's her email:
---------------------
I'm taking a moment to tell you about my new project, a novella - Disraeli Avenue.
Disraeli Avenue has been developed from my debut novel In Search of Adam. This novella provides the reader with an unusual insight into both the incidental and essential characters from the novel, giving a deeper understanding of the part that each plays in the book. Readers new to Disraeli Avenue may find the snapshots of individual lives lived on an average street moving, and compelling. Readers familiar with In Search of Adam may find pleasure in learning more about those involved in Jude Williams' life and will find a redemption of sorts in the final entry from Bill Williams where he reflects on the death of his wife and daughter.
This download is provided entirely free, but we would ask that you consider making a donation to One in Four.
One in Four offers a voice to and support for people who have experienced sexual abuse and sexual violence. Research has consistently shown that one in four children will experience sexual abuse before the age of 18. Society has thus far been unwilling to face up to the deep rooted nature of this problem or the sheer scale of the long term damage it leaves in its wake. Their determined aim is to change this. One in Four UK is a Registered Charity (Charity Number 1081726).
I may add that all of the contributions to the development of the novel (the writing, editing, typesetting, design, cover design, proofing) have all been contributed free of charge. All contributors are acknowledged within the work.
I’m trying to make a difference, to give something back.
All details can be found at The Friday Project
Showing posts with label The Friday Project. Show all posts
Showing posts with label The Friday Project. Show all posts
Monday
Friday
Approaching the finishing post
This week has been a productive week, both from a writing and strategy perspective with regard to my new novel.
The finishing post of the new novel now entitled Tangles in the City is in sight and I'm very excited. Hopefully that will occur in the next few weeks. What was once thought to be a rewrite when it was taken by The Friday Project has become an entirely new novel that will spawn three or more sequels and I have enjoyed most of the time spent writing it. Some characters that were minor, existing only to move the plot forward, have taken on their own lives and the book is richer, I feel, as a result.
The novel, set now in 2001, spans two cities, namely London and New York City.
Some last minute research is ongoing. I needed to speak to someone in the UK's Special Branch (MI5) as one of the plot points revolves around an arrest of a character suspected of terrorist affiliation. That hasn't happened as yet, but I've now made contact with a TV director over there who writes about police and organized crime and that has been very helpful. There are also a couple of excellent books I've ordered from my local library dealing with the issue.
And, as it will go on submission to houses in the United States, I chatted to my agent in NYC this week and he wants to read it as soon as possible and give me his take. I've promised him a copy sometime in March, so that will be my incentive to get it done.
So all systems go.
The finishing post of the new novel now entitled Tangles in the City is in sight and I'm very excited. Hopefully that will occur in the next few weeks. What was once thought to be a rewrite when it was taken by The Friday Project has become an entirely new novel that will spawn three or more sequels and I have enjoyed most of the time spent writing it. Some characters that were minor, existing only to move the plot forward, have taken on their own lives and the book is richer, I feel, as a result.
The novel, set now in 2001, spans two cities, namely London and New York City.
Some last minute research is ongoing. I needed to speak to someone in the UK's Special Branch (MI5) as one of the plot points revolves around an arrest of a character suspected of terrorist affiliation. That hasn't happened as yet, but I've now made contact with a TV director over there who writes about police and organized crime and that has been very helpful. There are also a couple of excellent books I've ordered from my local library dealing with the issue.
And, as it will go on submission to houses in the United States, I chatted to my agent in NYC this week and he wants to read it as soon as possible and give me his take. I've promised him a copy sometime in March, so that will be my incentive to get it done.
So all systems go.
Wednesday
Always look on the bright side of things...
The Friday Project have published a book by a chappie called Steve Stack entitled It is just You, Everything's not Shit and the opening paragraph of the introduction reads:
In recent years there have been a number of popular books moaning about life and how crap it is. Whether it be grumpy old men, miserable old women, or people asking 'Is it just me or is everything shit?' I am OK with that, I accept that the world can be a crappy place sometimes, but do we have to be so bloody pessimistic?
Well, with an opener like that, I just had to read it and have him on as a guest on the blog, didn't I?
I'm delighted I did because it's a fun book, the sort of book you'd keep in your powder room and read in snippets. In segments that begin with the letters of the alphabet, the author lets us know about a few things in the world we should be happy about. There's 'Amuse Bouche'--a small appetizer given for free in good restaurants, similar to what's called 'lagniappe' in New Orleans. Some of his picks are naturally very Brit and will appeal to Anglophiles--Bacon sandwiches, The Pudding Club and A Quarter of (various candies sold in the UK corner sweet shops), but others are universal including honey (pots of it were found in King Tut's tomb still edible), unexpected encounters with wildlife--the description was so on point--and Dr. Seuss.
Anyway, here's the interview.
Should you be interested in Steve's book which isn't published in the US, he informs me you can order it directly from The Friday Project at half price as part of their Christmas offerings and they'll even mail it to you for free.
---------------------------
DMN: Steve, you conceived this book as a sort of humorous antidote to people who are always complaining or whining about stuff? How did you go about deciding what you wanted to include and what you were going to discard?
SS: It really was as simple as sitting down and making a list of things that I liked. That naturally makes it quite a personal list but I think that there will be a core of entries that are universal. Also, part of the fun of the book is disagreeing with it. I know people who violently disapprove of some of the entries and others who claim I have made terrible errors of omission. They are all correct, of course, but the point of the book is not to be a definitive list but to prompt people into a more optimistic frame of mind.
DMN: I was interested to see 'It's a Wonderful Life' made the cut. Is there a British film you could recommend as a close second?
SS: I am a big fan of Hollywood movies and It's A Wonderful Life is such an amazing and life-affirming film so not much comes close for me, although I think an honourable mention could go to the Michael Powell movie A Matter Of Life & Death with David Niven. Great stuff.
DMN: Your Pudding Club entry appealed to me because I'm a lover of puddings, especially Sticky Toffee and Syrup Sponge. They even sell these in ex-pat shops here in the US. Any club in Britain like that that's dedicated to appreciation of fine beer and ales?
I am not a big drinker but I hear lots of good words spoken about CAMRA (the Campaign For Real Ale). They have a website and shop at www.camra.org.uk.
DMN: When you gave the pyramids the nod, what did you compare them to? Did you consider the Aztec and Mayan temples. I mention these only because I had an opportunity to visit them and was bowled away by the engineering as well.
SS: I would guess that if I had also visited those amazing places they would have made the list too. I must confess that part of the reason for including the pyramids was that it made for a neat joke alongside the pyramid tea bags entry.
DMN: Tell us a little about the interesting artwork on your book's cover. What's the significance of the rabbits, lambs and ducks?
SS: Well my book is a response to another book called Is It Just Me Or Is Everything Shit? which had a road sign on the front. We thought it would be fun to parody that and surround it with lots of fluffy bunnies and cute animals.
DMN: Are you working on another project and, if so, can you give us a hint?
SS: I think I can possibly give you a world exclusive on this one. My next book, scheduled for Christmas 2008, is called 21st Century Dodos and is an affectionate look at the everyday objects and experiences that are rapidly becoming extinct - milk bottles, cassette tapes, that sort of thing.
DMN: I just have to ask this because everyone's dying to know....Tell us about something that bugs you.
I am not overly fond of dogs, it must be said. They slobber everywhere and smell.
In recent years there have been a number of popular books moaning about life and how crap it is. Whether it be grumpy old men, miserable old women, or people asking 'Is it just me or is everything shit?' I am OK with that, I accept that the world can be a crappy place sometimes, but do we have to be so bloody pessimistic?
Well, with an opener like that, I just had to read it and have him on as a guest on the blog, didn't I?
I'm delighted I did because it's a fun book, the sort of book you'd keep in your powder room and read in snippets. In segments that begin with the letters of the alphabet, the author lets us know about a few things in the world we should be happy about. There's 'Amuse Bouche'--a small appetizer given for free in good restaurants, similar to what's called 'lagniappe' in New Orleans. Some of his picks are naturally very Brit and will appeal to Anglophiles--Bacon sandwiches, The Pudding Club and A Quarter of (various candies sold in the UK corner sweet shops), but others are universal including honey (pots of it were found in King Tut's tomb still edible), unexpected encounters with wildlife--the description was so on point--and Dr. Seuss.
Anyway, here's the interview.
Should you be interested in Steve's book which isn't published in the US, he informs me you can order it directly from The Friday Project at half price as part of their Christmas offerings and they'll even mail it to you for free.
---------------------------
DMN: Steve, you conceived this book as a sort of humorous antidote to people who are always complaining or whining about stuff? How did you go about deciding what you wanted to include and what you were going to discard?
SS: It really was as simple as sitting down and making a list of things that I liked. That naturally makes it quite a personal list but I think that there will be a core of entries that are universal. Also, part of the fun of the book is disagreeing with it. I know people who violently disapprove of some of the entries and others who claim I have made terrible errors of omission. They are all correct, of course, but the point of the book is not to be a definitive list but to prompt people into a more optimistic frame of mind.
DMN: I was interested to see 'It's a Wonderful Life' made the cut. Is there a British film you could recommend as a close second?
SS: I am a big fan of Hollywood movies and It's A Wonderful Life is such an amazing and life-affirming film so not much comes close for me, although I think an honourable mention could go to the Michael Powell movie A Matter Of Life & Death with David Niven. Great stuff.
DMN: Your Pudding Club entry appealed to me because I'm a lover of puddings, especially Sticky Toffee and Syrup Sponge. They even sell these in ex-pat shops here in the US. Any club in Britain like that that's dedicated to appreciation of fine beer and ales?
I am not a big drinker but I hear lots of good words spoken about CAMRA (the Campaign For Real Ale). They have a website and shop at www.camra.org.uk.
DMN: When you gave the pyramids the nod, what did you compare them to? Did you consider the Aztec and Mayan temples. I mention these only because I had an opportunity to visit them and was bowled away by the engineering as well.
SS: I would guess that if I had also visited those amazing places they would have made the list too. I must confess that part of the reason for including the pyramids was that it made for a neat joke alongside the pyramid tea bags entry.
DMN: Tell us a little about the interesting artwork on your book's cover. What's the significance of the rabbits, lambs and ducks?
SS: Well my book is a response to another book called Is It Just Me Or Is Everything Shit? which had a road sign on the front. We thought it would be fun to parody that and surround it with lots of fluffy bunnies and cute animals.
DMN: Are you working on another project and, if so, can you give us a hint?
SS: I think I can possibly give you a world exclusive on this one. My next book, scheduled for Christmas 2008, is called 21st Century Dodos and is an affectionate look at the everyday objects and experiences that are rapidly becoming extinct - milk bottles, cassette tapes, that sort of thing.
DMN: I just have to ask this because everyone's dying to know....Tell us about something that bugs you.
I am not overly fond of dogs, it must be said. They slobber everywhere and smell.
Thursday
Two 'Englishes'-One novel
Currently, A Son Called Gabriel is going through the process of being converted into a UK edition. The Friday Project will use the artwork created here by my US publisher, but will amend it to better suit their needs. The novel will come out over there in what's called 'B' format in March 2008 (mass market in the US). Very exciting.
Already I've been working with Clare Weber who's an editor at TFP and the copy editor they use is finding lots of American English that needs to be changed. I'd even forgotten how to spell 'pyjamas' because it's 'pajamas' here.
It's extraordinary. I've been living in the States for fifteen years and have no idea when I started to write 'American'. It just crept up on me. Now I wouldn't know if I was spelling a word incorrectly in standard English.
On that note, I was watching a documentary on PBS last year where they stated American English is now regarded as the official English language throughout the world. Apparently, more people abroad are taught or opt to be taught American English than Oxford English.
Yikes. Will a day come when Oxford English goes the way of Cornish, Scottish, Welsh or Irish?
Already I've been working with Clare Weber who's an editor at TFP and the copy editor they use is finding lots of American English that needs to be changed. I'd even forgotten how to spell 'pyjamas' because it's 'pajamas' here.
It's extraordinary. I've been living in the States for fifteen years and have no idea when I started to write 'American'. It just crept up on me. Now I wouldn't know if I was spelling a word incorrectly in standard English.
On that note, I was watching a documentary on PBS last year where they stated American English is now regarded as the official English language throughout the world. Apparently, more people abroad are taught or opt to be taught American English than Oxford English.
Yikes. Will a day come when Oxford English goes the way of Cornish, Scottish, Welsh or Irish?
Monday
Review on Gather.com
Kathryn Esplin-Oleski, a prodigious author on Gather.com, interviewed me recently for and has just posed a lovely review of A Son Called Gabriel that I wanted to share with you.
Here it is (and you can alos see her layout in all its technicolor glory by joining Gather.com, which is a free social networking site):
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REVIEW/INTERVIEW
Damian McNicholl is a long-time Gather member (February 14, 2006) (http://damianmcnicholl.gather.com) who grew up in Northern Ireland and went to law school in Wales; in the 1990s, Damian came to the US as an attorney and taught himself to write fiction as he commuted from Long Island to New York City. Agents picked up Damian's manuscript of A Son Called Gabriel and it was published.
The protagonist, Gabriel Harkin, is the sensitive, first-born child of four in a working-class, Catholic family set in the Northern Ireland of the 1960s; Gabriel's childhood is beset by oft-brutal cruelty set within a loving family. Life is difficult for Gabriel because times were strict and he tries to hide his fears as he realizes he is not like other boys. In this coming of age novel, Gabriel soon realizes that Uncle Brendan, a priest, also struggled with a secret and had to leave Ireland for Kenya. The novel deals very poignantly with how Gabriel's parents and siblings try to offer Gabriel comfort as he struggles to conform to life. A Son Called Gabriel goes beyond most coming-of-age novels published in recent years. A must read.
A Son Called Gabriel was made an ABA Book Sense pick and was a finalist in a couple of literary awards, including the Lammies. Damian has co-authored a play with another playwright, based on 'Gabriel' that is under consideration for production at theatres in the US and abroad.
Recently, I had the opportunity to speak with Damian about A Son Called Gabriel.
* * *
Damian, your novel, A Son Called Gabriel seems to be partially autobiographical, or, at least, based on some truth. Would you like to describe for readers what growing up in Northern Ireland was like?
A Son Called Gabriel is what I refer to as semi-autobiographical. By that I mean it has the elements of truth in certain aspects of the work, especially the political climate in which I grew up where the minority in Northern Ireland were repressed and discriminated against and took to the streets to demand their civil rights, and the complex issues involved with both heterosexual and homosexual sexuality in a very conservative environment. However, Gabriel is not me and Gabriel's family is not my family.
Growing up in Northern Ireland at that time [Ed note: 1960s and 1970s] was difficult for Catholics because they did not have the right to vote and all the best jobs were reserved for the Protestant majority. That is not to say that all Protestants had good jobs, of course. There were working class and impoverished Protestants, particularly in the inner cities, who were brainwashed or allowed themselves to be puppets for their Protestant masters--the landowning, Eton-educated Protestant masters--by accepting their bigotry and ideas that Catholics were wicked and untrustworthy, and vassals of the Church of Rome whose goal was world conversion to Catholicism.
But life there was also full of joy and fun. I grew up in breathtaking part of the Northern Irish countryside where farmers tilled their fields, juicy plums were picked from trees that grew alongside the road; carnivals, sports events and concerts featuring local talent were held frequently, and neighbors socialized and looked out for one another. (We also had our share of community gossips who kept the fires well banked and used attendance at Sunday Mass for intelligence gathering and reconnaissance.)
There was a lot of church because the area I grew up in was fervently Catholic and I attended Catholic primary and high schools. The entire community attended Mass on Sundays, observed Holy Days and fasted during Lent. Lent was always difficult for children and teenagers because it meant Mass every evening for six weeks, with Benediction and Rosaries thrown in for good measure.
Contemporary Northern Ireland is a very different place. My nephews and nieces are pretty similar to American kids today because of the Internet and TV, though they are not as coddled and micro-managed as many kids are here. I was over in Ireland a few months ago and my brother's twins--they're six--are speaking with very proper English accents and it was quite hysterical to listen to them. No one can understand why they are speaking like this or where it comes from, but it's very funny. They've been talking like this for two years. A few years ago, it would have been scandalous for an Irish kid to have an English accent. But the economy over there is doing extremely well and many people over there are now as well off as Americans, so the political strife and hatred has given way to reconciliation and a slow built trust between the two cultures. Those who still hate are being marginalized. That's how it should be.
How long did it take to write Gabriel?
The first draft of A Son Called Gabriel only took six or seven months to write. I think this was because it was so personal and Gabriel and his story was already fully formed in my mind. Of course, rewriting and editing took as long again.
You have such a beautiful, lyrical style to your prose - so haunting, quite reminiscent of Frank Mc Court's Angela's Ashes. Have you published other works besides Gabriel?
Thank you. I've read Angela's Ashes and enjoyed the writing style. Gabriel is my first published novel.
Your second novel will be published in 2009. Would you like to give us any hints as to what it is about?
It will be published in 2009 (maybe earlier if they so decide) by The Friday Project in the UK. Well, I can reveal it's now going to be a series of novels and they're going to be comic with just the right amount of darkness thrown in. I like to use humor in my writing where possible, even when dealing with heavy subject matter, because I can't stand books that are too heavy.
The working title of the novel is Unusual Steps. However, after working with my editor, we made the decision to split the novel in two, as the principal characters are very strong and have their own story lines. I'm working now on Marcus's story, which is about a young well-bred man leaving Ireland for the bright lights of London.
He moves into a house belonging to a very assertive young woman who's an immigration officer at Heathrow and next door lives a very meddlesome neighbor. He also befriends a very interesting American woman who's studying at the LSE [Ed note: London School of Economics] has a couple of run-ins with the law, and the story depicts his adventures as he goes about finding his place in the world. The second novel in the series will be about Julia, the immigration officer.
Here it is (and you can alos see her layout in all its technicolor glory by joining Gather.com, which is a free social networking site):
---------------------------------------
REVIEW/INTERVIEW
Damian McNicholl is a long-time Gather member (February 14, 2006) (http://damianmcnicholl.gather.com) who grew up in Northern Ireland and went to law school in Wales; in the 1990s, Damian came to the US as an attorney and taught himself to write fiction as he commuted from Long Island to New York City. Agents picked up Damian's manuscript of A Son Called Gabriel and it was published.
The protagonist, Gabriel Harkin, is the sensitive, first-born child of four in a working-class, Catholic family set in the Northern Ireland of the 1960s; Gabriel's childhood is beset by oft-brutal cruelty set within a loving family. Life is difficult for Gabriel because times were strict and he tries to hide his fears as he realizes he is not like other boys. In this coming of age novel, Gabriel soon realizes that Uncle Brendan, a priest, also struggled with a secret and had to leave Ireland for Kenya. The novel deals very poignantly with how Gabriel's parents and siblings try to offer Gabriel comfort as he struggles to conform to life. A Son Called Gabriel goes beyond most coming-of-age novels published in recent years. A must read.
A Son Called Gabriel was made an ABA Book Sense pick and was a finalist in a couple of literary awards, including the Lammies. Damian has co-authored a play with another playwright, based on 'Gabriel' that is under consideration for production at theatres in the US and abroad.
Recently, I had the opportunity to speak with Damian about A Son Called Gabriel.
* * *
Damian, your novel, A Son Called Gabriel seems to be partially autobiographical, or, at least, based on some truth. Would you like to describe for readers what growing up in Northern Ireland was like?
A Son Called Gabriel is what I refer to as semi-autobiographical. By that I mean it has the elements of truth in certain aspects of the work, especially the political climate in which I grew up where the minority in Northern Ireland were repressed and discriminated against and took to the streets to demand their civil rights, and the complex issues involved with both heterosexual and homosexual sexuality in a very conservative environment. However, Gabriel is not me and Gabriel's family is not my family.
Growing up in Northern Ireland at that time [Ed note: 1960s and 1970s] was difficult for Catholics because they did not have the right to vote and all the best jobs were reserved for the Protestant majority. That is not to say that all Protestants had good jobs, of course. There were working class and impoverished Protestants, particularly in the inner cities, who were brainwashed or allowed themselves to be puppets for their Protestant masters--the landowning, Eton-educated Protestant masters--by accepting their bigotry and ideas that Catholics were wicked and untrustworthy, and vassals of the Church of Rome whose goal was world conversion to Catholicism.
But life there was also full of joy and fun. I grew up in breathtaking part of the Northern Irish countryside where farmers tilled their fields, juicy plums were picked from trees that grew alongside the road; carnivals, sports events and concerts featuring local talent were held frequently, and neighbors socialized and looked out for one another. (We also had our share of community gossips who kept the fires well banked and used attendance at Sunday Mass for intelligence gathering and reconnaissance.)
There was a lot of church because the area I grew up in was fervently Catholic and I attended Catholic primary and high schools. The entire community attended Mass on Sundays, observed Holy Days and fasted during Lent. Lent was always difficult for children and teenagers because it meant Mass every evening for six weeks, with Benediction and Rosaries thrown in for good measure.
Contemporary Northern Ireland is a very different place. My nephews and nieces are pretty similar to American kids today because of the Internet and TV, though they are not as coddled and micro-managed as many kids are here. I was over in Ireland a few months ago and my brother's twins--they're six--are speaking with very proper English accents and it was quite hysterical to listen to them. No one can understand why they are speaking like this or where it comes from, but it's very funny. They've been talking like this for two years. A few years ago, it would have been scandalous for an Irish kid to have an English accent. But the economy over there is doing extremely well and many people over there are now as well off as Americans, so the political strife and hatred has given way to reconciliation and a slow built trust between the two cultures. Those who still hate are being marginalized. That's how it should be.
How long did it take to write Gabriel?
The first draft of A Son Called Gabriel only took six or seven months to write. I think this was because it was so personal and Gabriel and his story was already fully formed in my mind. Of course, rewriting and editing took as long again.
You have such a beautiful, lyrical style to your prose - so haunting, quite reminiscent of Frank Mc Court's Angela's Ashes. Have you published other works besides Gabriel?
Thank you. I've read Angela's Ashes and enjoyed the writing style. Gabriel is my first published novel.
Your second novel will be published in 2009. Would you like to give us any hints as to what it is about?
It will be published in 2009 (maybe earlier if they so decide) by The Friday Project in the UK. Well, I can reveal it's now going to be a series of novels and they're going to be comic with just the right amount of darkness thrown in. I like to use humor in my writing where possible, even when dealing with heavy subject matter, because I can't stand books that are too heavy.
The working title of the novel is Unusual Steps. However, after working with my editor, we made the decision to split the novel in two, as the principal characters are very strong and have their own story lines. I'm working now on Marcus's story, which is about a young well-bred man leaving Ireland for the bright lights of London.
He moves into a house belonging to a very assertive young woman who's an immigration officer at Heathrow and next door lives a very meddlesome neighbor. He also befriends a very interesting American woman who's studying at the LSE [Ed note: London School of Economics] has a couple of run-ins with the law, and the story depicts his adventures as he goes about finding his place in the world. The second novel in the series will be about Julia, the immigration officer.
Wednesday
Rewriting, rewriting, rewriting
I'm busy with the rewrite of Unusual Steps (my second novel), in between being appointed to scour the internet for interesting ideas for flooring for our new house.
Unusual Steps is really no more. I've separated the novel into two parts and am now concentrating on the male protagonist's story. I'm having a good time as I'm developing people in the novel who had no point of view, but really 'demanded' one.
It's a slow process. Not the edit I first thought it would be when my UK publisher--The Friday Project--acquired the novel.
But hey, it makes life interesting and challenging and worth living and all those good things.
Unusual Steps is really no more. I've separated the novel into two parts and am now concentrating on the male protagonist's story. I'm having a good time as I'm developing people in the novel who had no point of view, but really 'demanded' one.
It's a slow process. Not the edit I first thought it would be when my UK publisher--The Friday Project--acquired the novel.
But hey, it makes life interesting and challenging and worth living and all those good things.
Thursday
Insistent characters
A lot going on at the moment as I'm preparing to leave for Europe soon--Spain and Ireland. To top it all of, it's July 12, Orangeman's Day back in the old sod though of course I don't take part because I'm the other sort. Live and let live! New Northern Irish tourism slogan--or should be.
Editing started on Unusual Steps--the new novel--and the UK publisher has now emailed 12 edited chapters. As I read Scott's edits, it struck me that perhaps the Unusual Steps manuscript contains two novels (I'd thought this originally)as it's a long manuscript and alternates between three people's points of view. There's Marcus, the shy Irish chappie who moves to London in search of adventure, and Julia, a wellbred young English woman who's an immigration officer at Heathrow and hedonistic, and finally Tilly Hartley, a meddling widow. Oh, and by the way, Julia's lesbian.
I'd always conceived of this novel as a series from the beginning. It's kinda 'in' to write series now, right!!. Well, that's not the reason I'm doing it...not at all. It's just I love the characters and they have a lot to say. They're interesting and some are just downright eccentric and I'm having a lot of fun with them and, let's face it, writers should have a bit of fun with their creations when they labor alone in quiet studies and dens.
It's certainly a very different novel to Gabriel.
Anyway, both the editor and I chatted today after a few days of pondering--via Skype, which is the way to go if you're calling the UK because it's computer to computer and free--and we've decided its definitely the first two books in a series and I'm now going to pull the story apart and write Marcus's story. After I've done it, it'll be sent back to Scott who'll edit it.
It's a lot of work, especially since I've just emailed my agent the finished nonfiction manuscript of my first few years in America. After he and Lyndsey read it, they'll send me changes they recommend and that'll have to be reworked, too. But stories must be written the way they're intended to be written. No half measures allowed, not in my book. And besides, my characters refuse to allow me to tie them up in one big novel.
So all in all, it's going to be a busy, busy Fall.
Editing started on Unusual Steps--the new novel--and the UK publisher has now emailed 12 edited chapters. As I read Scott's edits, it struck me that perhaps the Unusual Steps manuscript contains two novels (I'd thought this originally)as it's a long manuscript and alternates between three people's points of view. There's Marcus, the shy Irish chappie who moves to London in search of adventure, and Julia, a wellbred young English woman who's an immigration officer at Heathrow and hedonistic, and finally Tilly Hartley, a meddling widow. Oh, and by the way, Julia's lesbian.
I'd always conceived of this novel as a series from the beginning. It's kinda 'in' to write series now, right!!. Well, that's not the reason I'm doing it...not at all. It's just I love the characters and they have a lot to say. They're interesting and some are just downright eccentric and I'm having a lot of fun with them and, let's face it, writers should have a bit of fun with their creations when they labor alone in quiet studies and dens.
It's certainly a very different novel to Gabriel.
Anyway, both the editor and I chatted today after a few days of pondering--via Skype, which is the way to go if you're calling the UK because it's computer to computer and free--and we've decided its definitely the first two books in a series and I'm now going to pull the story apart and write Marcus's story. After I've done it, it'll be sent back to Scott who'll edit it.
It's a lot of work, especially since I've just emailed my agent the finished nonfiction manuscript of my first few years in America. After he and Lyndsey read it, they'll send me changes they recommend and that'll have to be reworked, too. But stories must be written the way they're intended to be written. No half measures allowed, not in my book. And besides, my characters refuse to allow me to tie them up in one big novel.
So all in all, it's going to be a busy, busy Fall.
Debut novel review and an author interview
As a rule I'm not a lover of novels that experiment with fonts and
grammar as a means of telling a story, perhaps because I'm a product of a rigorous Catholic school education where Latin, ancient Greek and the rules of English grammar are so inculcated (in my day with the aid of a leather strap) that one dares not stray or experiment even in adulthood. I'm also deeply suspicious of such experimentation because, more often than not, they're lazy gimmicks used in an attempt to gloss over flaws in the plot as opposed to flaws in the protagonist's character. But every now and then a work comes into my hands that does break all the rules magnificently and, as a result, rises above the fray of novels that do experiment so. Without question In Search of Adam by British debut author Caroline Smailes is one such novel.
(For the sake of full disclosure, I wish to state at this juncture that her publisher, The Friday Project, is the same publisher who will publish both A Son called Gabriel and my second novel, Unusual Steps.)
Set mainly in a gritty, working-class council housing estate (project in the US) in Newcastle, a coal producing city in the North of England, the child protagonist, Jude Williams, happens upon her mother who has just committed suicide and left a cryptic note bearing the words "Jude, I have gone in search of adam. I love you baby." What begins from that instant onward is the end of innocence for Jude and the commencement of a search for her mother and the meaning of life amid harsh circumstances.
A quiet, courageous novel, the author in simple direct prose--occasionally seasoned with Newcastle dialect in order to present and anchor the setting--unflinchingly and with admirable skill tackles huge universal themes including sexual abuse, parental dysfunction, bulimia (as Jude grows older) and the loneliness of childhood. In less accomplished hands, these themes would result merely in the reader journeying through the terrain of a dark novel landscaped only by ominous hillocks of pain and ponds of sadness; in Smailes hands however, while pain and sadness is certainly present, we are engulfed in the swirling current of the story so abruptly and powerfully that within twenty pages we already love and feel so protective of the protagonist that we'll follow her anywhere--a feat made all the more remarkable in that the protagonist does not speak a great deal throughout the work and yet we get to know her as intimately as we would a family member.
Moreover, Smailes does not resort to the trick of presenting us with a perfectly formed, unblemished and blameless protagonist to admire and cherish. Jude has flaws that exacerbate her situation, flaws that include silence, a terrible failure to tell her secrets at critical moments--understandable when she is a child but perhaps less so as she matures--and promiscuity in late adolescence. It is these flaws that are the essential keys to our growing understanding and sympathy.
One aspect of the novel that struck me particularly was Jude's observations during a street party to celebrate the wedding of Charles and Diana and the author's juxtaposition of dualing scenes of extreme happiness and danger. To many Brits, this is a moment of time that's permanently frozen within their cores and they remember exactly where they were on that day in exactly the same way that Kennedy's assassination is frozen in the American psyche. A very interesting interplay in the novel arises in the "Thoughts" section of the book. As the author begins to answer questions posed by an unknown interviewer, Jude intrudes and begins to speak her mind much more forthrightly than she has done throughout the story, even to the point of teasing the author and it's endearing. My only quibble, though it is a minor quibble, is that the fate of the molester during her childhood is left unresolved and I would have liked some kind of confrontation by Jude; but then I imagine the author is mirroring reality where the vast majority of these situations remain unresolved.
Kudos to Caroline Smailes for writing such an accomplished and insightful debut novel. It deserves a worldwide audience and I hope it gets it.
Author interview:
Caroline, thanks for stopping by to talk about your novel. I should have bought a couple of bottles of Newcastle brown ale that's available here in the US as a treat to myself.
CS: Thank you so much for inviting me.
DMN: I read on your blog that you felt compelled to write this novel,which reads so true-to-life it's as if it is nonfiction. What prompted you to write In Search of Adam and desire its publication?
CS: I started writing /In Search of Adam/ after having a miscarriage.The writing gave me an outlet to express the emotions that I was experiencing. I didn’t realise at that time that the story would continue to unfold. That initial part is still within the novel. I didn’t actually get around to seeking publication. I finished the final draft in August 2006, and then I launched my website and blog. I was beginning to write a list of possible agents to send the manuscript to, I’d managed to pull together a synopsis and a cover letter. Then, within 3 weeks of starting blogging, Clare Christian (an aside: Clare Christian is MD of The Friday Project and recipient of the 2007 UK Young Publisher of the Year Nibble) emailed me and requested the manuscript.
DMN: Who is Jude Williams and why did you decide to set your story in a council housing estate (project in the US)?
CS: Jude Williams is a little girl who lived and grew inside of my head. She lived inside of me for the 18 months that it took to write/ In Search of Adam/. I still have days when I am writing and I hear her voice, so I guess that Jude is now part of me. The setting of the story is very familiar to me. I grew up in a similar estate on the North East coast of England. I wanted a strong sense of place to emerge through the surroundings, place names and dialect, and so the setting emerged as Jude grew as a character.
DMN: How did you research the book?
CS: Unfortunately, In Search of Adam was not difficult to research. My research stemmed from extensive reading. We exist within a society where abuse is common place and is now documented within books and online. The accepted evidence of abuse, neglect, self harm and eating disorders are easily accessible for those who wish to look. I also referred to my own diaries as part of my research and I have acknowledged that some of the events within /In Search of Adam/ stem from personal experience.The researching was not difficult, but the findings often left me devastated.
DMN: How long did the writing process take?
CS: It took me 18 months from start to finish. I enrolled on an MA in Creative writing 5 months after my miscarriage and this ensured that /In Search of Adam/ became a priority in my life. Until I enrolled, I was juggling writing with motherhood and work. By studying, I was forced to meet deadlines and became less precious about my work. I am sure that this hurried the writing process along.
DMN: You have taken on some very large themes--sexual abuse, family dysfunction, abandonment, mental illness--in your novel and successfully treated them as if you have been writing for a long time and been much published. Were you nervous as to how your book would be received upon
publication?
CS: Thank you for your kind words. I have to admit that prior to publication. I was terrified. I had sleepless nights and was full of panic. I think people were expecting me to be ecstatic that I had been published, but inside I was terrified of reaction. Receiving praise from professionals, from others who understood Jude’s very core and from general readers has touched me beyond words. I set out to present an authentic journey of a young girl growing within an abusive and neglectful environment. I realised early on that I had a duty to present
as authentic a portrayal as possible and some of the reactions that I have had have overwhelmed me. I never expected to receive as much support as I have.
DMN: I am intrigued by the way you experimented with format and fonts in the book? How did you come to use this in your first novel?
CS: I teach linguistics and I have always been intrigued by the representation of spoken language. The different fonts were used to
indicate altered voice and mood. The first person child’s voice of Jude Williams had restrictions. I could only describe her world through her eyes and with her sounds, so the limitations of her language were expressed through altered fonts and variation in grammatical constructions. I wanted to give the words life and breath on the page. I wanted the words to speak and have a unique voice depending on Jude’s mood. I wanted the words to be given a creative expression beyond the surface meaning, so I experimented with format and fonts to add a depth that could not be obtained through standard presentation.
DMN: I see you are busy with your next novel. Can you tell us a little about that?
CS: During the countdown to publication of /In Search of Adam /a writer told me to focus on my next book. He said that it would keep me grounded. Those wise words stayed with me and guided me. I am currently on the second draft of /Black Boxes/. The story unravels through two very dissimilar voices and stories, as the reader is presented with the evidence that is left after a breakdown in communication. The story is in two parts and the clues that are held within two black boxes are presented after a mother and daughter’s relationship has crashed. I hope to have completed the final draft by the end of the summer.
DMN: Your novel is not yet published in the US. How can interested readers acquire a copy?
CS: Unfortunately, the rights to/ In Search of Adam/ haven’t been sold into the US yet, but the novel can be found in a number of ways. There is of course Amazon, or there are limited edition copies available direct from my publisher The Friday Project, or there are a series of travelling /In Search of Adam/ copies journeying around the world. One blogger has started a forum where readers cover postage costs and In /Search of Adam/ is travelling. I know that one copy is currently in Australia. All details can be found on the sidebar of my blog.
Caroline, I wish you much success with In Search of Adam and your next work.
Thank you.
Friday
On writing and a bit of news
For anyone aspiring to have their work published, there's a very illuminating entry in Scott Pack's blog today that's entitled What was the name of the chap who rejected the Beatles?
Scott is the commercial director of the The Friday Project, an independent publishing house in the UK. I'm delighted because they will publish A Son Called Gabriel early next year and my second novel, Unusual Steps, thereafter.
I love independent publishers and TFP is the perfect house for me because it has the energy, creativity and huge enthusiasm of a small house backed by the distribution muscle of Pan Macmillan which gets their books into all the places where books ought to be. Scott will be my editor for Unusual Steps and we've already begun the edits a few weeks ago. It's hugely exciting because he 'gets' the novel and he actually edits, as opposed to some at the larger houses who, due to corporate policy and/or lack of experience, do no editing at all. As I go through the process I'll post my thoughts.
Anyway, back to writing and the acquisition process. I think it's wonderful and very useful that writers are able to tap into insights like this from a publisher's perspective. And, while he's realistic and remarks how competitive the market is, he gives encouragement and hope to unpublished writers, which is vital. He also talks about writing competitions.
Without the net and blogging, it just wouldn't be possible to get such valuable info.
Here's the link:
Me and My Big Mouth
Scott is the commercial director of the The Friday Project, an independent publishing house in the UK. I'm delighted because they will publish A Son Called Gabriel early next year and my second novel, Unusual Steps, thereafter.
I love independent publishers and TFP is the perfect house for me because it has the energy, creativity and huge enthusiasm of a small house backed by the distribution muscle of Pan Macmillan which gets their books into all the places where books ought to be. Scott will be my editor for Unusual Steps and we've already begun the edits a few weeks ago. It's hugely exciting because he 'gets' the novel and he actually edits, as opposed to some at the larger houses who, due to corporate policy and/or lack of experience, do no editing at all. As I go through the process I'll post my thoughts.
Anyway, back to writing and the acquisition process. I think it's wonderful and very useful that writers are able to tap into insights like this from a publisher's perspective. And, while he's realistic and remarks how competitive the market is, he gives encouragement and hope to unpublished writers, which is vital. He also talks about writing competitions.
Without the net and blogging, it just wouldn't be possible to get such valuable info.
Here's the link:
Me and My Big Mouth
Tuesday
Adam will be in Manchester
It's thrilling for novelists when their first book is about to hit the book stores. From this side of the pond I've been watching and cheering and laughing at Caroline Smailes' journey as her already critically acclaimed novel In Search of Adam has been wending its path toward the day of publication, which will be June 14th.
On that day, Caroline will in Manchester (in a new 'launch dress') for her book launch party, as will members of her innovative and exciting independent publisher, The Friday Project. Caroline's novel is the first to be published by their Friday Fiction imprint.
She and I have been in touch and I will be reviewing her book on this blog soon and she will answer a few questions so you can get to know her a little better.
In the meantime you can check out Caroline's blog on my Authors who blog sidebar and catch up on her ups, downs and doings as she has traveled the path from unpublished writer to published author in two days time.
Way to go, Caroline. Enjoy your launch.
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