On writing

Realized I haven't blogged for a bit.

Been very busy as I got some brilliant feedback on the new novel, now called THE MISSIONS OF NOAH YOUNG, that necessitated some major first chapter revisions.

One person who gave me the feedback said "Take everything I say as pure encouragement to struggle to get to something important." As this person is tres important in publishing world, I realize I'm lucky having his ear and am doing just that.

So it occupied my mind greatly.

Got a beautiful, beautiful email from a 17-year-old who'd read Gabriel and was profoundly moved. I really feel I've done my job when I get notes like that.
Guy comes from the bible belt, which makes it doubly satisfying.

My publisher didn't put any marketing dollars there because they thought they'd get no return. Glad a bookstore still has it on their shelves.

Twisted Agendas

They say if you wait long enough something you need comes. Well, boy is that true in this case.

I've been dissatisfied with the titles of my new novel. Each title I came up with was interesting but just didn't enthuse.

And yesterday, I went with Larry and friends to Longwood Gardens--the estate outside Philly that Pierre DuPont saved in 1909 from logging interests when the Quaker family who'd possessed it for 200 years decided to sell it--and it came to me while watching the fireworks and colorful fountain display in the evening. It may or may not have been my mulling of the twisted plans of loggers to ruthlessly cut down the magnificent 200 year old Tulip, Oak, American beech and Ginko trees.

TWISTED AGENDAS is its final name. Because that's really what it's about--the agenda of Derry's overbearing father, the agendas of Piper's dysfunctional parents, the agenda of old Mrs. Hartley against Julia and Derry, the agenda of the MI5 detectives.

So now I can rest. The title's found. And any prospective agent and publisher will hopefully love it.

Disraeli Avenue

Here's an email I received from British novelist Caroline Smailes, author of In Search of Adam, which is published by The Friday Project and I reviewed in this blog when it released last year because I liked it a lot. (TFP is the same publisher who will publish A Son Called Gabriel in the UK.)

She has now written a novella entitled Disraeli Avenue that deals with the background characters of her debut novel and it's published and downloadable for FREE on the net from today. However, she wants to assist a charity for sexually abused kids--her work deals with this theme--and asks that you consider making a donation if you decide to download the work.


Here's her email:

---------------------
I'm taking a moment to tell you about my new project, a novella - Disraeli Avenue.

Disraeli Avenue has been developed from my debut novel In Search of Adam. This novella provides the reader with an unusual insight into both the incidental and essential characters from the novel, giving a deeper understanding of the part that each plays in the book. Readers new to Disraeli Avenue may find the snapshots of individual lives lived on an average street moving, and compelling. Readers familiar with In Search of Adam may find pleasure in learning more about those involved in Jude Williams' life and will find a redemption of sorts in the final entry from Bill Williams where he reflects on the death of his wife and daughter.

This download is provided entirely free, but we would ask that you consider making a donation to One in Four.

One in Four offers a voice to and support for people who have experienced sexual abuse and sexual violence. Research has consistently shown that one in four children will experience sexual abuse before the age of 18. Society has thus far been unwilling to face up to the deep rooted nature of this problem or the sheer scale of the long term damage it leaves in its wake. Their determined aim is to change this. One in Four UK is a Registered Charity (Charity Number 1081726).


I may add that all of the contributions to the development of the novel (the writing, editing, typesetting, design, cover design, proofing) have all been contributed free of charge. All contributors are acknowledged within the work.

I’m trying to make a difference, to give something back.

All details can be found at The Friday Project

Always look on the bright side of things...

The Friday Project have published a book by a chappie called Steve Stack entitled It is just You, Everything's not Shit and the opening paragraph of the introduction reads:

In recent years there have been a number of popular books moaning about life and how crap it is. Whether it be grumpy old men, miserable old women, or people asking 'Is it just me or is everything shit?' I am OK with that, I accept that the world can be a crappy place sometimes, but do we have to be so bloody pessimistic?

Well, with an opener like that, I just had to read it and have him on as a guest on the blog, didn't I?

I'm delighted I did because it's a fun book, the sort of book you'd keep in your powder room and read in snippets. In segments that begin with the letters of the alphabet, the author lets us know about a few things in the world we should be happy about. There's 'Amuse Bouche'--a small appetizer given for free in good restaurants, similar to what's called 'lagniappe' in New Orleans. Some of his picks are naturally very Brit and will appeal to Anglophiles--Bacon sandwiches, The Pudding Club and A Quarter of (various candies sold in the UK corner sweet shops), but others are universal including honey (pots of it were found in King Tut's tomb still edible), unexpected encounters with wildlife--the description was so on point--and Dr. Seuss.

Anyway, here's the interview.

Should you be interested in Steve's book which isn't published in the US, he informs me you can order it directly from The Friday Project at half price as part of their Christmas offerings and they'll even mail it to you for free.

---------------------------

DMN: Steve, you conceived this book as a sort of humorous antidote to people who are always complaining or whining about stuff? How did you go about deciding what you wanted to include and what you were going to discard?

SS: It really was as simple as sitting down and making a list of things that I liked. That naturally makes it quite a personal list but I think that there will be a core of entries that are universal. Also, part of the fun of the book is disagreeing with it. I know people who violently disapprove of some of the entries and others who claim I have made terrible errors of omission. They are all correct, of course, but the point of the book is not to be a definitive list but to prompt people into a more optimistic frame of mind.

DMN: I was interested to see 'It's a Wonderful Life' made the cut. Is there a British film you could recommend as a close second?

SS: I am a big fan of Hollywood movies and It's A Wonderful Life is such an amazing and life-affirming film so not much comes close for me, although I think an honourable mention could go to the Michael Powell movie A Matter Of Life & Death with David Niven. Great stuff.

DMN: Your Pudding Club entry appealed to me because I'm a lover of puddings, especially Sticky Toffee and Syrup Sponge. They even sell these in ex-pat shops here in the US. Any club in Britain like that that's dedicated to appreciation of fine beer and ales?

I am not a big drinker but I hear lots of good words spoken about CAMRA (the Campaign For Real Ale). They have a website and shop at www.camra.org.uk.

DMN: When you gave the pyramids the nod, what did you compare them to? Did you consider the Aztec and Mayan temples. I mention these only because I had an opportunity to visit them and was bowled away by the engineering as well.

SS: I would guess that if I had also visited those amazing places they would have made the list too. I must confess that part of the reason for including the pyramids was that it made for a neat joke alongside the pyramid tea bags entry.

DMN: Tell us a little about the interesting artwork on your book's cover. What's the significance of the rabbits, lambs and ducks?

SS: Well my book is a response to another book called Is It Just Me Or Is Everything Shit? which had a road sign on the front. We thought it would be fun to parody that and surround it with lots of fluffy bunnies and cute animals.

DMN: Are you working on another project and, if so, can you give us a hint?

SS: I think I can possibly give you a world exclusive on this one. My next book, scheduled for Christmas 2008, is called 21st Century Dodos and is an affectionate look at the everyday objects and experiences that are rapidly becoming extinct - milk bottles, cassette tapes, that sort of thing.

DMN: I just have to ask this because everyone's dying to know....Tell us about something that bugs you.

I am not overly fond of dogs, it must be said. They slobber everywhere and smell.

Taking the initiative

What I Meant...


My friend and a co-founding member of our writers group Rebel Writers of Bucks County, Marie Lamba, wrote a wonderful YA novel entitled 'What I meant...' that's scheduled to come out in July. It's receiving great reviews that'll post after publication and Cosmogirl.com have selected it as a Summer Pick. (You can click to Marie's website via my sidebar.)

Marie learned yesterday from her agent that Random House will not be publishing What I meant...in softcover and her already approved sequel.

Naturally, Marie was devastated.

A fighter who takes charge of her destiny and aware that decisions can be reversed, Marie has developed a strategy to save her book and has emailed all her friends and requested them to help by buying the book from Amazon and B&N.com as pressies for girls aged twelve through adult and it's working.


The day of an author sitting in an ivory tower churning out novels and/or nonfiction and insisting it's their publishers responsibility to market their precious darlings and their duty is only to write gorgeous prose is well and truly over in this age of the internet. Authors need to develop time-management skills and write as well as help their publishers market their work. But this is a double edged sword and publishers, especially the large commercial houses, need to reprogram and come to see that authors can be an integral part of the entire project, not just the producers of the raw material.(Granted some authors will be incapable of wearing a marketing hat or be clueless as to who the audience is for their work, but they are in the minority, I feel.) My publisher involved me in the process, sought out my marketing ideas, called me in to the sales meeting to present my book to the teams, and we brainstormed. Sell-in to the chains was excellent as a result of the synergy and A Son Called Gabriel became an ABA Booksense Pick with independents as a result.

There's just too many forms of entertainment competing for the consumers dollar so all steps have to be investigated within budget.


Here's my interview:

Hello Marie, thanks for dropping by and it's nice to chat about books in a forum outside see our writers group

Thanks! It's great to be here.


What's What I meant about...?

What I Meant... is the story of 15-year-old Sang Jumnal, who is crazy about a guy, but her Indian dad won't let her date until she is 16, maybe. And her American mom, who usually sticks up for Sang, suddenly thinks she's a liar, a thief and a bulimic. Sang knows why. Her aunt, who has been living with them for a few months, has been stealing food and money and setting up Sang to take the blame. But who will believe a 15 year old over an adult?

Who do you think the reader is for this work?

Girls ages 12 through adult (including the adult chick-lit audience) will get a kick out of this comic novel. There's lots of wacky humor, so it's a fun read, but there is also a more serious theme. Here a girl must fight to be believed, even when an adult is lying about her to everyone. When all the truth finally comes out, it's a humbling moment for her parents and a touching moment for Sang. I think this appeals to any teen who has told the truth, but wasn't believed or trusted.

The book will also will have a huge appeal to biracial kids, and Indian teens.

Tell us about the day your agent told you the novel had sold?

You know, all I remember is saying, "You're kidding," over and over again. Then I called my husband, and he said, "You're kidding," over and over again. I wandered around the streets smiling like an idiot for hours. All those years of struggle had finally paid off!

What has the editing process been like?

First of all, I have the world's best writer's group, with wise mentors like one Damian McNicholl on it. My group helped me focus my novel, and shaped it up before I even sent it out. Then the editor at Random House sent me this huge letter of suggested changes, and words of encouragement. No contract, though. This was clearly a test. I spoke with her on the phone first, to understand her vision. Fortunately I totally agreed with her suggestions! Then I set to work. The contract for a two book deal soon followed, along with several months of back and forth corrections. My editor was wonderful. She'd suggest changes, never demand. I usually agreed with them, though, because they made a ton of sense.

How have you found the process of working with a publisher? Frustrations, joys, laughs

For writers, working with a publisher really translates to working with an editor, which was great. I've never met anyone else at Random House, truthfully. And I just started working with my publicist there, a nice person who I've emailed back and forth with.

Okay, now to the turmoil of the other day. Tell us what happened and how you felt about it?

Two days ago, less than a month prior to publication of my novel, my agent called to tell me she had terrible news. My already written and accepted sequel What I Said..., which was to appear in 2008, was cancelled. The paperback of What I Meant... was cancelled. The hardcover of What I Meant... was being printed but at a smaller than anticipated number. The reason? Prepublication sales were low because the major chains mostly passed on carrying What I Meant... I don't know why. Perhaps they didn't know where to put a YA novel that was clean enough to be enjoyed by younger readers, too. There is nothing wrong with the book, which is being enjoyed by reviewers.

Naturally I am devastated and heartbroken. I haven't slept much since...

Would it have helped if you could have met with the salesforce and been able to have given them pointers, do you think?

Definitely. Who can pitch a book better than the author? As you can see, authors are simply not involved in sales at all. In a way I can understand it. Can you imagine the zillions of authors that'd be running around these meetings? All with varying degrees of abilities to pitch and speak to a sales force? But on the other hand, I certainly could have helped. This book has a huge market and a wide appeal.

Have you done or been allowed to do any marketing for the book?

The publicity department at Random House has been sending out press announcing the book's publication. Because it won't be seen in most chain stores, I know I have to get involved by really stepping things up if I want to get this book into the hands of readers throughout the country. I've laid a lot of groundwork on my own, and that is definitely paying off now.

I have a website www.marielamba.com. A myspace page with lots of friends and groups. I've participated in blogs and contacted other authors. And I've just begun to spread the word that this book needs extraordinary support from readers in order to succeed.

One thing I'm doing on my own is helping out girl scout senior and cadette scouts throughout the area by offering a workshop. In 2 hours they can earn a Reading badge that would take them normally about 2-3 months to earn, and at the end of the workshop they each get a signed copy of my book. Various girl scout councils are getting excited about this, and it ensures anywhere from 10-100 book sales per event. I hope to do much more of these in the future, and will drive throughout PA, NJ and perhaps even NY or DE, depending on the venue, if any readers out in cyberspace are interested in setting up a date.

How did you come up with the strategy to 'save' your book?

I came up with this strategy because, quite simply, I had to. I couldn't let this book I'd believed in so much die quietly. Nevermind my poor sequel.

My strategy is this: I figure the only way to save What I Meant... is if there are massive pre-orders, followed by a groundswell of support. We need to quickly sell out the first smaller printing and go into reprint. We need readers, press, and bookstores to take notice. I'm contacting EVERYBODY I know and asking them to please pre-order ASAP through their local bookseller, amazon.com or barnesandnoble.com. I'm asking people to talk to librarians and bookstore managers to tell them that this book is in trouble, not because it is a bad book, but because pre-publication sales were low. If we all ask them to champion this cause, help the underdog, great things can happen. A great time to ask booksellers about What I Meant... is when readers go in to pick up their copy of Harry Potter. What I Meant... will be out just three days after Harry Potter.

You know, without the Internet, it'd definitely be over. But now with a click of a button, thousands of people are informed. It is truly miraculous. I am overwhelmed with the support and kind words I've received. I watch my numbers on amazon and barnesandnoble improving by the second. I read about people who have bought 4 copies, forwarded my message to 100 people, to 14,000 people even, and I feel so lucky to have people like this in the world.

What words of wisdom do you have for a writer about to enter the process?

You know what? All I can say is be brave and believe in yourself against all odds. It ain't over till it's over. But then again, we writers already know that!


Thanks for these insights, Marie.
And let's wish Marie lots of good luck as she moves to turn the fortunes of her first novel around.

On writing and a bit of news

For anyone aspiring to have their work published, there's a very illuminating entry in Scott Pack's blog today that's entitled What was the name of the chap who rejected the Beatles?

Scott is the commercial director of the The Friday Project, an independent publishing house in the UK. I'm delighted because they will publish A Son Called Gabriel early next year and my second novel, Unusual Steps, thereafter.

I love independent publishers and TFP is the perfect house for me because it has the energy, creativity and huge enthusiasm of a small house backed by the distribution muscle of Pan Macmillan which gets their books into all the places where books ought to be. Scott will be my editor for Unusual Steps and we've already begun the edits a few weeks ago. It's hugely exciting because he 'gets' the novel and he actually edits, as opposed to some at the larger houses who, due to corporate policy and/or lack of experience, do no editing at all. As I go through the process I'll post my thoughts.


Anyway, back to writing and the acquisition process. I think it's wonderful and very useful that writers are able to tap into insights like this from a publisher's perspective. And, while he's realistic and remarks how competitive the market is, he gives encouragement and hope to unpublished writers, which is vital. He also talks about writing competitions.

Without the net and blogging, it just wouldn't be possible to get such valuable info.

Here's the link:
Me and My Big Mouth