I'm busy with the rewrite of Unusual Steps (my second novel), in between being appointed to scour the internet for interesting ideas for flooring for our new house.
Unusual Steps is really no more. I've separated the novel into two parts and am now concentrating on the male protagonist's story. I'm having a good time as I'm developing people in the novel who had no point of view, but really 'demanded' one.
It's a slow process. Not the edit I first thought it would be when my UK publisher--The Friday Project--acquired the novel.
But hey, it makes life interesting and challenging and worth living and all those good things.
Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts
Wednesday
Thursday
Insistent characters
A lot going on at the moment as I'm preparing to leave for Europe soon--Spain and Ireland. To top it all of, it's July 12, Orangeman's Day back in the old sod though of course I don't take part because I'm the other sort. Live and let live! New Northern Irish tourism slogan--or should be.
Editing started on Unusual Steps--the new novel--and the UK publisher has now emailed 12 edited chapters. As I read Scott's edits, it struck me that perhaps the Unusual Steps manuscript contains two novels (I'd thought this originally)as it's a long manuscript and alternates between three people's points of view. There's Marcus, the shy Irish chappie who moves to London in search of adventure, and Julia, a wellbred young English woman who's an immigration officer at Heathrow and hedonistic, and finally Tilly Hartley, a meddling widow. Oh, and by the way, Julia's lesbian.
I'd always conceived of this novel as a series from the beginning. It's kinda 'in' to write series now, right!!. Well, that's not the reason I'm doing it...not at all. It's just I love the characters and they have a lot to say. They're interesting and some are just downright eccentric and I'm having a lot of fun with them and, let's face it, writers should have a bit of fun with their creations when they labor alone in quiet studies and dens.
It's certainly a very different novel to Gabriel.
Anyway, both the editor and I chatted today after a few days of pondering--via Skype, which is the way to go if you're calling the UK because it's computer to computer and free--and we've decided its definitely the first two books in a series and I'm now going to pull the story apart and write Marcus's story. After I've done it, it'll be sent back to Scott who'll edit it.
It's a lot of work, especially since I've just emailed my agent the finished nonfiction manuscript of my first few years in America. After he and Lyndsey read it, they'll send me changes they recommend and that'll have to be reworked, too. But stories must be written the way they're intended to be written. No half measures allowed, not in my book. And besides, my characters refuse to allow me to tie them up in one big novel.
So all in all, it's going to be a busy, busy Fall.
Editing started on Unusual Steps--the new novel--and the UK publisher has now emailed 12 edited chapters. As I read Scott's edits, it struck me that perhaps the Unusual Steps manuscript contains two novels (I'd thought this originally)as it's a long manuscript and alternates between three people's points of view. There's Marcus, the shy Irish chappie who moves to London in search of adventure, and Julia, a wellbred young English woman who's an immigration officer at Heathrow and hedonistic, and finally Tilly Hartley, a meddling widow. Oh, and by the way, Julia's lesbian.
I'd always conceived of this novel as a series from the beginning. It's kinda 'in' to write series now, right!!. Well, that's not the reason I'm doing it...not at all. It's just I love the characters and they have a lot to say. They're interesting and some are just downright eccentric and I'm having a lot of fun with them and, let's face it, writers should have a bit of fun with their creations when they labor alone in quiet studies and dens.
It's certainly a very different novel to Gabriel.
Anyway, both the editor and I chatted today after a few days of pondering--via Skype, which is the way to go if you're calling the UK because it's computer to computer and free--and we've decided its definitely the first two books in a series and I'm now going to pull the story apart and write Marcus's story. After I've done it, it'll be sent back to Scott who'll edit it.
It's a lot of work, especially since I've just emailed my agent the finished nonfiction manuscript of my first few years in America. After he and Lyndsey read it, they'll send me changes they recommend and that'll have to be reworked, too. But stories must be written the way they're intended to be written. No half measures allowed, not in my book. And besides, my characters refuse to allow me to tie them up in one big novel.
So all in all, it's going to be a busy, busy Fall.
Friday
On writing and a bit of news
For anyone aspiring to have their work published, there's a very illuminating entry in Scott Pack's blog today that's entitled What was the name of the chap who rejected the Beatles?
Scott is the commercial director of the The Friday Project, an independent publishing house in the UK. I'm delighted because they will publish A Son Called Gabriel early next year and my second novel, Unusual Steps, thereafter.
I love independent publishers and TFP is the perfect house for me because it has the energy, creativity and huge enthusiasm of a small house backed by the distribution muscle of Pan Macmillan which gets their books into all the places where books ought to be. Scott will be my editor for Unusual Steps and we've already begun the edits a few weeks ago. It's hugely exciting because he 'gets' the novel and he actually edits, as opposed to some at the larger houses who, due to corporate policy and/or lack of experience, do no editing at all. As I go through the process I'll post my thoughts.
Anyway, back to writing and the acquisition process. I think it's wonderful and very useful that writers are able to tap into insights like this from a publisher's perspective. And, while he's realistic and remarks how competitive the market is, he gives encouragement and hope to unpublished writers, which is vital. He also talks about writing competitions.
Without the net and blogging, it just wouldn't be possible to get such valuable info.
Here's the link:
Me and My Big Mouth
Scott is the commercial director of the The Friday Project, an independent publishing house in the UK. I'm delighted because they will publish A Son Called Gabriel early next year and my second novel, Unusual Steps, thereafter.
I love independent publishers and TFP is the perfect house for me because it has the energy, creativity and huge enthusiasm of a small house backed by the distribution muscle of Pan Macmillan which gets their books into all the places where books ought to be. Scott will be my editor for Unusual Steps and we've already begun the edits a few weeks ago. It's hugely exciting because he 'gets' the novel and he actually edits, as opposed to some at the larger houses who, due to corporate policy and/or lack of experience, do no editing at all. As I go through the process I'll post my thoughts.
Anyway, back to writing and the acquisition process. I think it's wonderful and very useful that writers are able to tap into insights like this from a publisher's perspective. And, while he's realistic and remarks how competitive the market is, he gives encouragement and hope to unpublished writers, which is vital. He also talks about writing competitions.
Without the net and blogging, it just wouldn't be possible to get such valuable info.
Here's the link:
Me and My Big Mouth
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