Saturday
Tuesday
Interview with Sarah-Jane Stratford
I'm delighted to introduce Sarah-Jane Stratford who's written the novel Radio Girls about a powerful woman, Hilda Matheson, who helped establish BBC Radio in London.
Thanks for coming on the blog to answer a few questions, Sarah-Jane.
Thank you for inviting me.
RADIO GIRLS is set in London in the late 1920s and early 30s and explores Britain’s venerable BBC. As an American writer, what interested you in exploring something so quintessentially British?
I’m pretty attached to Britain, having gotten a Masters degree from York and grown up watching a lot of British comedy and reading British literature. I’m a history buff, and like my fictional character, Maisie, I like to be where history has lived a long time. But what whetted my appetite for this story was Hilda Matheson, whose own interests and influence are universal.
Also, good stories are good stories, no matter where they come from. I’m always drawn to stories of fearless women breaking down boundaries and seeking to create something, to speak their true voice. Ultimately this is a women’s story and a human story and where it took place was secondary to the draw of the characters and the story.
What made you decide to use an actual female BBC producer to explore the work ethos, bigotry and foibles of the period?
This whole venture would not have happened had I not stumbled upon Hilda Matheson’s name when I was doing research on women in journalism. So there you go, another reason to conduct regular research. Hilda was one of those gifts a writer always hopes to come across but you don’t expect to actually find. Of course, I could have invented her – that is what fiction is meant to do, I realize – but I love writing historical fiction that is grounded in real history. It’s a nice way to bring my two obsessions together. Or possibly it’s my means of assuaging my guilt about never completing my PhD. In any case, there I was, reading about Hilda, mouth hanging open, being more and more astonished that such a woman existed and was mine for the taking. The comedian Sandi Toksvig had cited Hilda in an article on women who ought to be more known and I was determined that was going to happen.
Right up to their last scene together, Maisie and she addressed each other by their last names even though they’d worked for some time together. Was that intentional?
What I love about this observation is that in fact it feels that way, but it’s not the case – they still address each other as “Miss Matheson” and “Miss Musgrave,” which would be standard for the times and women of two different ages who weren’t related. But I’m delighted that the mutual respect and friendship comes through, even with the formality. In fact, there’s only one instance where Hilda uses Maisie’s first name and it’s a moment of high emotion, a rare moment when Hilda forgets herself because she’s overwhelmed. And what’s overwhelmed her is the information that the Equal Franchise Act is being passed, guaranteeing universal suffrage. This was one of my favorite sequences to write, because there was a lot of history to think about. So many women who had worked for this and never got to see it – never even got to see the suffrage granted to a select group of women in 1918. Hilda, a staunch progressive, must have savored this moment. It was exhilarating to write her emotion here and, hopefully, convey the weight of the history behind it.
I’ve read you’re keen to see an historical blue plaque erected at her former home to acknowledge her life and work. How’s that going?
We shall see! “Onwards and upwards,” as I have Hilda say. She only finally got her own Wikipedia page! And it doesn’t mention Radio Girls, not that I noticed (*cough*). I’m really hoping that as people get to know about her, they’ll only want to know more. Because really, how could it be otherwise? She was extraordinary – and revolutionary.
Beanie’s a thoroughly aristocratic English character who’s clever, witty and great fun. One can easily see she was a bit of a rebel at her school. But she realizes she must put duty to family before her work? How did you set about developing her so beautifully as a memorable secondary character?
Thank you! She certainly was a fun character to write. I love characters who have no filter and just speak their mind. And while I always want minor characters to be fully realized themselves, it was particularly paramount in this story that all the women be in full voice. I wanted to represent someone like Beanie, who would be in a way more radical than some of the other women in going out to work, because while her comforts were greater, she still had a great many conflicts to contend with and her class privilege in many ways curtailed her personal freedom.
You lived for a time in London? How did that help your research affect the novel’s voice?
I’m generally of the mind that you don’t have to visit a place to set a work there because again, so long as you are writing truthfully about humans, you’re being authentic. Obviously, it depends, but I never think it’s wholly necessary. That said, having spent time in London and especially walking down Hilda’s street and through the BBC’s original home definitely helped me step into Maisie’s shoes and, hopefully, make her wanderings that much more real. Beyond the physical space, though, it was the research into the programming and day-to-day life of the BBC and the people who comprised it that really brought the book to life. I was extremely fortunate in that Hilda was a prolific letter writer and wrote to Vita Sackville-West constantly during their 2-year relationship (who says long-distance relationships don’t have advantages?)
and that the letters are housed in the Bienecke Library at Yale, so I was able to access them with ease and get a strong sense of Hilda’s voice and inner life. Mostly, though, it was thinking about the characters and their world that made it all real.
What inspired you to become a writer?
Hm. Insanity?
What’s next for you?
I’m in that myopic stage of feeling my way into my next book. Also, I’m available for work. At quite reasonable rates. Sometimes just for food.
You can find out more about Sarah-Jane here
Wednesday
Exciting Development
Friday
Winning the 'Lottery'
Lottery "My name is Perry L. Crandall and I am not retarded."
So begins this debut novel I've just read that's best described as wonderfully quirky. It's called Lottery by Patricia Wood and it unfurls in a town by the sea in Washington State with a quick jaunt on vacation to Hawaii with his friend Keith and, oh, his grandmother's ashes.
As the title suggests, the plot revolves around the protagonist--who's slow but innocently smart--winning twelve million dollars in the state lottery. Of course, once the press reports the winner, out of the woodwork come a flood of letters pleading for help. There's also his avaricious family to contend with, including two brothers, their grasping wives and a mother who's abandoned him. Brought up by his hardy grandmother who's knowledgeable in seafaring and has home-schooled Perry, he's able to hold down a job at Holstead's and is remarkably skilled at coming up with new business ideas which flourish, much to the delight of his boss, Gary.
When his Grandmother dies, the fun begins pre his winning the Lottery when his family--whom he refers to as his brother-cousins--swoop down and make him sign the house she's left to Perry over to them. Matters escalate after the Lottery win, though Perry has Keith and his boss looking out for him as best they can.
An enjoyable, compelling first novel and a wonderful stocking filler.
And here's a Christmas/Holiday bonus--an interview with the author.
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DMN: You decided to make Perry, a young man with learning disabilities, your protagonist which was intriguing. What inspired you to do this?
PW: I have taught for many years and my PhD work was in disability and diversity and my brother in law had severe Down syndrome. I saw how people who are perceived as different are marginalized by our society. I purposely didn’t label Perry- yes he has cognitive challenges- yes he is slow and yes there are many things he doesn’t understand. He sees the world differently and I felt that would make an interesting and challenging character. Both one who was limited in terms of understanding yet astute in his observations.
DMN: His personality is well developed as the book advances and we do care very much about him, especially when we see how callous his family behave. Have you had experience working with people with learning disabilities or did you base the character primarily on research?
PW: While as I said before I do have experiences in these areas, essentially Perry came straight out of my imagination. In my work I did see students living with aunts and uncles, with grandparents, with friends and while generally people think it’s exaggerated for fiction’s sake, it really is how it happens to many children- especially to young adults who have special needs but who are able for one reason or another to live on their own. If you want to see how society still treats these people -- go to Good Will Industries and watch what happens to them when they get off work. There are still many unkind people in this world and it isn’t just confined to the school playground.
DMN: Much of the novel takes place around the world of sailing and it is clear the protagonist is extremely proficient in that world. I know you own a yacht. Have you always been interested in sailing?
PW: When you talk about me owning a yacht it sounds quite luxurious but I assure you the reality is far more pedestrian! I have lived by the sea most of my life and love it- and my husband has always been an avid sailor. Our 48-foot ketch ORION is quite ordinary by sailboat standards. We do most of the work ourselves. It’s our home and we live aboard which is a life style decision. It?s small and quite energy efficient. There’s something freeing about an unconventional living space that enhances creativity- ORION is where we live. She is our home. It was a natural extension of that to have Perry a sailor as well. It is an endeavor that rewards feel rather than intelligence. To be able to sense and feel the way the wind blows is unique and does not depend on ‘smartness.’
DMN: Perry's mother is a very unsympathetic character even though we do not get to know her in the book. Did you deliberately choose to have her absent and, if so, why?
PW: This is a little known reality in the world of special needs children- having both a mother and father is a luxury. Mothers and fathers - through divorce and poverty do abandon even normally abled children. Many of my students lived with their grandparents. I’m of the generation where we often have our children’s children AND have to take care of our own parents. I know those who reject this scenario and leave- It happens all the time. Oftentimes we chose not to see it.
With respect to the characterization, since my narrator is both unreliable AND cognitively challenged he sees many things in black and white- those people who he doesn’t have much to do with are sketchily drawn because Perry doesn’t do much conjecturing about what they’re really like or their motivations. I had to be true to this. I also wanted to give the book the feeling of a parable where good and evil are more distinct and there are fewer shades of gray.
DMN: I read you have gone to book signings by sea as well as land. Do you set up your signing schedule so you can sail from Hawaii?
PW: No not at all lol! It’s very difficult to make long passages like that. My home stays moored at the dock unless we do a short day or weekend sail. But I have done book clubs aboard boats and that has been great fun. Book clubs to me are a huge bonus. I enjoy interacting with readers and discussing aspects of my novel.
When groups contact me I can usually be present by speaker phone and sometimes ichat or SKYPE.
DMN: Do you write every day?
PW: Yes. I may not write on my current work in progress but I do write every day. I have several novels at various points in the editing process and tend to write a horribly disjointed first draft to get my ideas down and then spend copious amounts of time revising and rewriting.
DMN: What's coming next?
PW: A coming of age story about impossible dreams with an unusual narrator that’s set in the 1980’s.
Thanks Patricia, and good luck.
Tuesday
The Liar's Diary paperback release
Today it releases in paperback and, as Patry is battling a serious health-related matter (which she blogs about in a candid manner on her blog), all her friends and colleagues are blogging today in support.
Lots of luck with your book and thinking of you at this difficult time, Patry.
Here's the Review
Adam will be in Manchester
It's thrilling for novelists when their first book is about to hit the book stores. From this side of the pond I've been watching and cheering and laughing at Caroline Smailes' journey as her already critically acclaimed novel In Search of Adam has been wending its path toward the day of publication, which will be June 14th.
On that day, Caroline will in Manchester (in a new 'launch dress') for her book launch party, as will members of her innovative and exciting independent publisher, The Friday Project. Caroline's novel is the first to be published by their Friday Fiction imprint.
She and I have been in touch and I will be reviewing her book on this blog soon and she will answer a few questions so you can get to know her a little better.
In the meantime you can check out Caroline's blog on my Authors who blog sidebar and catch up on her ups, downs and doings as she has traveled the path from unpublished writer to published author in two days time.
Way to go, Caroline. Enjoy your launch.
Saturday
Getting it done
A friend, Jessica, opened a smart, upmarket ladies boutique in town a few weeks ago and she asked me to help compose a press release she wanted to send to the newspapers and magazines, which I did. It's great to be able to help friends when they begin new exciting ventures. Hope it does its job!!
And I settled down and did a serious--I mean serious--amount of work on America and Me, the memoir I'm currently writing. The word count is now 55,300 and I'm now at Chapter 20--yes 19 whole chapters have been written--and I think I'll be able to complete the latest today. I'm going to work my arse off this afternoon and do it.
I'm having laughs and bouts of sadness writing it. And it's strange and thought-provoking going over old correspondence and uncovering documents in files that were once vital and critical and celebrated profusely--like notifications that I'd passed the Bar examination, etc--and realizing they've lost that vitality and importance.
Of course, once the memoir is completed, the really tough work begins because editing and redrafting is an essential part of the process. An essential, necessary pain in the arse.